Silence

24. August 2010 · 5 comments

You didn’t expect that, did you?

This may not be quite what you would have expected to read about when you subscribed to a music (production) blog, but here it goes! First off, I’ll need to clarify that I have never experienced total silence, since my hearing is functional.

There are constantly sounds within the hearable range that enter my ears. Wind, distant cars passing by, my own breathing, the results of my movements, etc. I can occasionally even hear a very very slight buzzing in my ears at around 15.000 hertz.

So silence in its true sense is something that I’ve never experienced, but I really do appreciate the closest I can get.

Treble attack!

The appreciation of silence seems to be disappearing: People even go for walks in the forest with music in their ears! They walk with ski poles without having skis on their feet, and rush by as if they’re racing someone.

Similarly, it appears as if people have a need to keep their pace up on public transportation systems: Intense music is being blasted through poor quality ear buds, making its way across the carriage as a repulsive cloud of treble.

The sounds of the forest are actually quite nice I’ll have you know, and making yourself available for inquiries or conversations on the bus might actually be a good thing.

Dynamics in music

A frequently discussed topic in music nowadays is dynamics. In the realms of music, dynamics usually refers to the difference between high and low amplitude. A lot of music is squeezed, in order to eliminate peaks, and make the overall sound as loud as possible.

In other words, the «quiet» middle part has almost the same amplitude as the loud main part. This does have its use in some contexts; noisy environments such as cars and parties for example.

From a home listener’s perspective though, it’s a very tiring experience, and is completely wrong from a compositional point of view.

Dynamics in music listening

If you look at dynamics at a larger scale, such as listening to music contra not listening to music, I think many people are exposing themselves to the same phenomenon. Instead of enjoying music and silence equally, they can’t stand the quiet parts. As Claude Debussy said: «Music is the space between the notes».

Cake judge

It might seem like an odd encouragement at first, from someone whose hobby is music creation, but I think you should listen to less music! At least from personal experience, I’ve found this increase in dynamics through more silence to be just great. I pay more attention to the little sounds around me, and I’m absolutely sure that this is a big benefit when it comes to music production.

I’d rather be a child who gets cake a few times a year, than an overfed cake judge.

  • Fjern

    One thing that I forgot to mention: I prefer listening at moderate volumes (which others consider very low). At higher volumes, I am unable to pick up all the details, and I find that a little uncomfortable. I can live with it when dancing though :)

  • http://www.youtube.com/danielsunshinedahl Sunshine

    From trance.nu; though I’ve recently tried to go in the other direction, I have to admit that I’ve also bought into the loudness war craze. The Sunshine Trilogy is a pretty good example of that. My ears get tired after a while, and certain elements and details have gotten squashed in my attempts to live up to the standards of “in your face” paradigm. I could I would re-render them all at lower volume levels. Unfortunately, I’m missing a lot of files that have gone missing due to hdd crashes…

    But to the point; I have thus promised myself to keep my productions at much lower volume levels, and not be seduced to cram everything into a limiter. It’s bad practice, we all know that, so we should stop doing it. I’d take it as far as it being a matter of artistic integrity, rather than selling out to the destructive brickwall commercialism.

  • Fjern

    @Sunshine: Nice to see you here! I must say I do agree with what you’re saying about your trilogy. Of course, I think it’s among the best hard trance of recent years, but it would definitely benefit from further dynamic range.

    The music back in the days of insane raves for example (late ’80s/early ’90s) had lots of dynamic range in them, and there certainly wasn’t any lack of energy or impact!

  • http://www.yyfc.com/2279305/ Hui

    I can understand your point from my own experience, Kristian. :)
    Most of the time when i stay in my room, i would turn on the music in my laptop, doing my own things and listening to the music at the same time. I always thought that it would be unbearable for me to stay in my room without any music.
    But one night when I was back home from school, I was so exhausted, and I didn’t want to take my laptop out of my bag. Then I stayed in my room quietly doing my things without any music, and to my surprise, I felt quite good myself. I felt calm, quiet and peaceful inside. :)
    Then I found that it’s very nice to stay quiet in my room without any music. ^_^

  • Jun

    im going to college to major in record production..my question is how long it usually take for a beginner to learn and master music/record production? i mean i am willing to spend the ENTIRE day everyday in the studio i am that determined and very dedicated.so if i spend like 8 hours a day evryday how long will it take to learn or master it???

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